Art detectives look through the layers of ’lost’ works

Art Historians and scientists from the University of Glasgow have completed an international research project to trace the origins of four previously misattributed paintings. The two year study which was funded by the European Culture Fund and the British Academy traced the paintings, which were previously thought to be by Hieronymus Bosch and Pieter Bruegel the Elder, back to workshops in 16th-century Antwerp. The project, entitled 'Bosch and Bruegel: Four paintings magnified', involved the collaboration of conservators, conservation scientists and art historians from around Europe. Researchers used state of the art infra-red imaging, X-radiography, dendrochronology, pigment and binding-medium analysis to investigate the works, which all depict Christ driving the Traders from the Temple . The groundbreaking technology used on the project gave the team a rare glimpse inside the artist's studio of the era by allowing the experts to look through the layers of paint to see the secrets of composition. This close analysis yielded a greater understanding of materials, techniques and studio practice of the time. Erma Hermens, Senior Lecturer in Technical Art History, who led the project at the University of Glasgow, said: "Dr Erma Hermens, Senior Lecturer in Technical Art History, who led the project at the University of Glasgow, said: "The theme of Christ driving the Traders from the Temple was popular in the 16th-century merchant and bankers' city of Antwerp and works by Bruegel and Bosch were widely admired, imitated, copied and faked.